Moon tutorial results

I followed a moon tutorial by Whitehouse Art today. This was fun to do and I think it came out quite well for a first try with this looser style. Things that were new or mostly new to me:

Using Prussian Blue
Splattering paint drips: I had tried very timidly before
Using white Gouache to cover up a mistake (only worked a bit)

Materials used

Fluid watercolor block 8x8 sheet
Staedtler watercolors + Winsor and Newton Cotman Turquoise mixed to make the teal.

Lessons learned

I worked hard to get the shape of the moon nice and clean since I have taken to heart the lesson that good lines are the start of a good piece of art.
I am not happy with the coverage of the Pebeo Studio Gouache white. This is one budget purchase I regret so there's an order on the way with a Winsor and Newton Permanent White as a replacement. At least the Pebeo Goauche seems to splatter ok.

Here's the result

Comments

Work from "101 Watercolor techniques" - Exercise 005

This exercise was a bit of a struggle for a beginner. Believe it or not the result below is the third attempt. The point of the exercise was to get a result of depth on the paper using only analogous colours and without using color gradation. I am sure I learned something from it. What I think I struggled with among other things was "water control" - keeping the water within the small leaf areas from running. Learning: As I went along I had a little bit more freedom with the strokes. I started to notice how the exercise author was using negative space and tried to replicate it. \

Simple apple painting

Not sure if this is more successful than my first fruit painting but I certainly thought about it more. I tried to use lifting to get the white spots on the skin (which I think worked ok) and for the reflections around the edge (which didn't really work). I also tried adding white after for the waxy white part of the skin. I know it's not recommended I just wanted to see what it would look like.

Work from "101 Watercolor techniques"

Today I did two projects from the "101 Watercolor techniques" book. Both turned out quite well with some caveats. Number 3 - Cool monochromes The exercise is about mixing Burnt Sienna and Ultramarine to get variations in color. I struggled to get enough reddish brown to display so I had to do a second wash in places to get a nice final result. That was a bit of a cop out but I figured by struggling I had learned a bit of the lesson anyway. Number 4 - Warm monochromes This one is about letting two warm colors mix on the paper. In retrospect I should have done more of that with number 3 as well. This exercise also mostly worked except I didn't get the veins painted until the yellow paint was getting to dry. As a result they look a bit added on - as they are.

Crashing water

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